Collection: About Bronze and Porcelain
Bronze casting has been a part of my artistic journey since my time in art school, and it remains a material I deeply cherish. Its history, spanning over 5,000 years, connects me to an enduring tradition of craftsmanship and artistry. But my appreciation goes far beyond its historical significance.
Bronze is a material of permanence. It carries a weight and value that few other materials can match. When I choose to cast a sculpture in bronze, it’s because the form demands a steady, solid, and confident design that deserves to be eternal. This sense of longevity and durability gives my work a sense of timelessness that no other medium can offer.
The strength of bronze is another quality that captivates me. It has an unparalleled ability to capture intricate details while maintaining structural integrity, even in the most delicate forms. This makes it a perfect partner for the lost wax method, where the wax model is replaced with a mold that immortalizes every fine line and curve.
Finally, the green patina I often use adds a unique character to my sculptures. This earthy hue not only enhances the visual appeal but also imbues the pieces with symbolism. To me, the green patina represents maturity, growth, and the strength that comes from experience—qualities I strive to reflect in my art.
For all these reasons, bronze holds a special place in my practice. Its permanence, strength, and aesthetic qualities make it more than just a material; it’s a collaborator in creating pieces that stand the test of time.
I use porcelain for my leaf sculptures because it enhances the qualities I aim to express in my smaller work. Starting with wax allows me to shape delicate, intricate forms with precision. When cast in porcelain, the leaves transform, becoming refined, minimal, and clean. The porcelain’s translucency, hardness, and fine texture elevate the sculptures, giving them a sense of elegance and permanence.
Porcelain’s unique properties bring a distinct character to my pieces. It’s a hard but delicate material, semi-gloss and green, created by firing special clay at high temperatures. This transformation mirrors the evolution of my sculptures: from malleable wax to a more polished, enduring state. As a group, my porcelain sculptures no longer feel like individual leaves but instead come together as elements of a larger forest, unified and harmonious.
